KORG Gadget for Nintendo Switch User Manual en

KORG Gadget for Nintendo Switch
User Manual

https://www.detune.co.jp/

Basic Operations

Basic Controller Operation

Left Joystick / Direction Buttons	Cursor Movement
A Button	Setting Used to select current item and to advance.
B Button	Cancel / Return Cancel the currently open menu and return to the previous screen.
X Button	Open Menu Opens the menu at the current cursor location.
Y Button	Play / Stop Start and stop a song. Long press initiates record mode, during which gadget performance and knob operations are recorded.
+ Button	Screen Navigation Used to navigate between screens.
+ Button	Select a Gadget at random A gadget is selected at random if you press the + button on the Gadget selection screen.
- Button	Motion performance and controller performance The motion performance and controller performance is started on the Gadget screen or Piano Roll screen.
L Button	Shortcut Operation Pressing this button causes the operations that can be performed on the current screen to be displayed. By pressing the appropriate button, the convenient functions can be accessed directly.
R Button	Moving between 4 screens In Four Screens mode, the cursor will appear and you can move between screens.
ZL Button	Adjust Note Length by the grid On the piano roll screen, you can adjust note length by the grid.
ZL Button	Select Range On the piano roll screen, you can select range.

Save / Load Operations

From the overview screen, select “System” → “Save” or “System” → “Load” to save or load a song.
You can save up to 300 songs.

If multiple controllers are in use, save and load operations can only be used on Controller 1

Overview Screen Operations

View an entire song on this screen.

Track	Each vertical column makes up a part of a song, and corresponds to one gadget instrument. Arrange several gadget instrument tracks, such as drum track, bass track etc, to create a song.
Clip	A “clip” is a sequence of notes. The gadget instruments on each track perform these notes during playback. Each track can be set individually, and the number of bars in each clip can vary.
Scene	The horizontal blocks in each song represent scenes. The clips in each track are played back simultaneously. Songs are constructed by placing together a variety of scenes. For example, “Introduction”, “Melody A”, “Bridge” etc.

Main Operations

Move between gadget screen and piano roll	Select the gadget icon on the top of the screen and press the A button to access the gadget screen. Select a clip and press the A button to access the piano roll screen.
Add Track / Scene	Select the “+” icon at the top of the screen and then press the A button to add a track or scene.
Song Setting	Select “Song Settings” from the menu to set the song title, tempo, and swing.
Setting and Editing Track / Scenes	By selecting the gadget icon or scene and opening the menu, one can duplicate, delete, edit the name, move a track or a scene. When you select a scene, you can also set the display screen for Autoview.

Convenient Functions

Mute Clip / Unmute Clip	You can mute/unmute the clip at the cursor.
Automatic Song Arranger	Arrange the song automatically (only for the song with one scene)
Auto View	Select from "Play/Record" in the menu. Play the song while displaying the screen set up for each scene. The screen can be displayed at random.
Transfer Song via QR code	Select from the "System" menu. To transfer the song data to KORG Gadget on other platforms, a QR code will be displayed.
Switch to Four Screens Switch to One Screen	Select from "System" menu. Switch between Four Screens mode and One Screen mode.

Piano Roll Screen Operations

This screen allows one to display/edit notes for currently selected clip

Main Operations

Place / Remove Note	Pressing the A button or touch places a note at the current cursor location. If there is already a note there then it is replaced. While the A button is pressed, you can use the left joystick or the direction button to adjust the length of the note by moving left or right.
Adjust Note Length	Move the right joystick left or right to shorten or lengthen the note at the cursor. Hold down ZL button to change the length by the grid.
Set Clip Length	Select “clip length” from the menu to set the number of bars in a clip. The maximum is 8 bars. Also, selecting “Display Range” from the menu will allow you to set the number of bars displayed on the screen.
Grid Settings	By setting the “Grid” in the menu, you can set the grid to display with 8th note or 16th note resolution. Also, when adding notes they automatically snap to the grid. To use triplets, please access the “Grid” menu and select “triplets” or move left and right to turn triplet mode on and off.
Editing Velocity (volume)	Selecting “Edit Velocity” from the menu to display the note velocity (volume). Move the right joystick or touch to adjust the velocity.
Edit Automation	Selecting “Edit Automation” from the menu will display the gadget parameters. Use the right joystick or touch to adjust them up or down.

Convenient Functions

Select Range (combined edit)	To select a range or “Select/Select Range” from the menu, hold down the ZR button and move the cursor. This makes it possible to edit or delete multiple notes simultaneously.
Duplicate	Double the length of the clip, including the notes in the clip.
Copy & Paste	After copying a range, select “paste” from the menu and select a location to paste the information.
Undo	Select “undo” from the menu to undo the previous operation.
Move to Different Track / Scene	Press the L button to enter the shortcut screen, then use the left joystick or the direction buttons to move between tracks or scenes.
Display Scale Tones	On the piano roll screen, notes that are not members of the selected scale are displayed with diagonal lines. It is possible to create a musical tune just be avoiding the notes with hatched lines.

Gadget / Mixer Screen Operations

This screen allows one to edit and view parameters for gadget instruments and the mixer.

Main Operations

Knob, Fader Operation	When a knob or fader is selected, moving the right joystick or touch will adjust the associated parameter.
Parameter Adjustment	Holding down the ZL button when using the right joystick to make parameter adjustments will allow for more detailed setting.
Joy-Con Motion Parameter Operation	When a knob or fader is selected, hold down the A button and move the Joy-Con left, right, up, or down to adjust parameters.

Convenient Functions

Preview Sound	Press the ZR button and the gadget will produce a preview sound. This makes it convenient to adjust the parameters while listening.
Save User Presets	To save the current sound, select “Save User Preset” from the menu and assign it a name. Saved user presets may be used in other songs.
Delete User Presets	To delete a user preset, select the user preset that you wish to delete and then select “Delete User Preset” from the menu.
Motion Performance Controller Performance	Pressing the “-” button will display then menu, after which you may use the Joy-Con to engage in a motion performance or perform using the controller buttons.
Move to Different Track	Press the L button to display the shortcut screen, then use the left joystick or the direction buttons to move to a different track.

Play/Record Operations

Loop Playback for Scenes	Playing back the selected scene repeatedly. Press the L button to enter the shortcut screen and then use the Y button to toggle loop playback on and off. This can also be toggled from “Menu” → “Playback/Recording” → “Scene Loop Playback”
Loop Playback for Song	The entire song is played back repeatedly. Select “Menu” → “Playback/Recording” → “Song Loop Playback” to turn on/off this function
Recording	Long-press the Y button to enter recording mode. Keyboard performances, preview tones, and motion performances on the gadget will be recorded.
Recording knob and Fader Operations (automation)	Operations conducted on the knobs and faders of a gadget while in record mode are also recorded.

Convenient Functions

Preview	Press the ZR button to preview. This is useful for adjusting parameters while listening to the sound.
Save User Preset	When you select "Save User Preset" from the menu, you can name the currently edited voice and save it. You can use the saved user presets in other songs.
Delete User Preset	To delete a user preset, select the user preset you want to delete and then select "Delete User Preset" from the menu.
Motion Play Controller Play	When you press the- button, a menu will be displayed, and you can play Motion Play by shaking the Joy-Con, or you can play Controller Play using the controller's buttons.
Move to another track	Press the L button to display the shortcut screen, and then use the left analog stick or the directional buttons to quickly move to another track.

Tech Glossary

Track	This represents one part of a song, corresponding to one gadget. A song is made using multiple gadgets, for example a drum track, a bass track, etc.
Clip	A “clip” is a collection of note data. The gadget instruments on each track play the notes in the clip. Each track can be set independently, and each clip may have a different number of bars.
Scene	Horizontal columns are blocks making up a song. The clips on each track are played at the same time. A song is composed of "scenes" such as "INTRODUCTION", "MELODY A", "BRIDGE", etc. in units of bars.
Gadget	This is the name for our compact synthesizers and drum machines.
Note	A note contains pitch and duration information.
Velocity	This controls the volume of a note.
Scale / Key	Set the scale and the key of a given tune.
Automation	Record the movement of a gadget's knobs and sliders.
Quantize	Adjust the timing of recorded notes.
User Preset	Customized gadget sounds created by the user can be saved.

Other Operations

Internet Multiplay	Up to 4 people can compose one song at a time via the Internet. Recording is not possible during Internet Multiplay
My First Gadget	Recommended mode for first-time players. Even if you've never composed a song before, you can make an original in 10 minutes. When you hold the controller horizontally, continuous input of notes is limited to avoid mistakes.

Exchange Song Data

Created songs can be shared with other users.

Exchange with near person	Exchanging song data with someone nearby.
Exchange with far person	Exchange song data via the Internet.

The following is an explanation of how Player A can send song data to Player B.

Operation	Player A	Player B
1	From the Mode Selection Screen, select “Data Exchange.”	From the Mode Selection Screen, select “Data Exchange.”
2	Select “Send Data and select the song that you wish to send.
3		Select “Receive Data.
4		When Player A's name appears, please select it.
5	When Player B's name appears as the data receiver, please select it and press the A button.
6		When data reception is finished, the song data will be saved. You may then use the “Load Song” function to load the song.

Settings

Time Limit	You can set a time limit. You can continue to play even if you exceed the time limit.
Random Starting Gadget	If ON, gadgets and tones will be selected randomly.
Random Tempo	If ON, Tempo will be set randomly.
Random Scale	If ON, Scale and Key will be set randomly.
Scene / Gadget Lock	When adding or removing a scene or gadget, editing is locked.
Note Limit	Limits the number of notes that can be entered in a single clip.

Oscilloscope

IN	Set the waveform display track.
MODE	Set the waveform display mode. "WAVEFORM" for normal display and "LISSAJOUS" for displaying the right signal on the Y-axis and the left signal on the X-axis.
TRIG	Set the trigger. When it is turned on, the waveform display is stabilized.
KEY	Sets the pitch of the sound in the preview
TIME	Set the width of the waveform display.
VOLTS	Set the height of the waveform display.
DIFF	Set the depth of the waveform display, (only for LISSAJOUS mode)
ROT - X	Sets the X-axis position of the waveform display.
ROT - Y	Sets the Y-axis position of the waveform display.

Convenient Functions

Preview	Press the Y button and the gadget will produce a preview sound. (except MASTER track)
Reset	Press the - button resets the waveform display setting.
Auto Rotate	Press the + button to automatically rotate the waveform.

Options

Controller Vibration	Change controller vibration enable or disable.
Note Preview	When adding or moving a note on the piano roll, that note will trigger.
Arcade Controller	When enabled, you can set the parameters for the cursor position by pressing the A button while connecting the arcade controller.
SR Button	Sets the operation of the SR button when you hold the controller horizontally.

Other Features

Solo horizontal grip	Supports holding the controller horizontally.
External USB PC keyboard	An external USB PC keyboard can be used as a keyboard. You can also control SOLO and MUTE on the mixer screen.

External USB PC keyboard assign

External USB PC keyboard assign (on the Mixer screen)

Gadget Guide

Main Parameters

Oscillator / VCO	Oscillators are responsible for creating basic sound waves. A variety of oscillators are available for the creation of basic waveforms such sawtooth waves and square waves, PCM waveforms appropriate for the reproduction of acoustic instrument gadgets, and VPMs that make it easy to create brass instrument gadgets.
Filter / VCF	Filter reduce or enhance certain ranges of the sounds produced by oscillators to create a more distinctive tone. Filters can include low pass filters that cut the high frequencies to produce a soft tone, high pass filters that cut out the low frequencies to create bright tones, and bandpass filters that reduce only specified frequencies.
Amp / VCA	These are used to set the volume, pan, etc. These amplify the sound created by oscillators and filters
Envelope Generator	Sounds tend to have a fixed volume curve. For example, when a piano key is struck it is suddenly loud, and then it slowly dissipates.When you release your finger from the keyboard, you will hear a bit of reverberation.Such a curve creates the distinctive sound of each instrument. Such changes can also affect the tone and the pitch of the sound as well as the volume.It is an Envelope Generator that produces these changes. There are EGs that filter the tone color, and EGs that act as amplifiers to change the volume.
LFO (Low Frequency Oscillator)	An LFO oscillates the low frequencies. This effect is commonly used to apply vibrato (use an LFO to adjust the pitch up and down), apply a “wah” effect (use an LFO to move the tone color up and down), or to create a tremolo effect (use an LFO to move the volume up and down)
Effect / FX	A variety of useful functions can be used to apply various acoustic effects such as distortion, swell, and echo to the sound. You can make the sound completely different from the original sound, and you can also achieve a wide stereo effect.

Synth Gadget

Marseille

With its workstation-like looks, this polyphonic synthesizer gadget offers a broad selection of standard keyboard sounds, brass, strings, and synth sounds. When you need a piano or electric piano, this gadget will deliver. There’s a “Chord” function that lets you produce chords of the scale you specify, making it simple to create a chord progression with no wrong notes

PROGRAMS	Tap a program name to select it. Using the category buttons on the left, the programs in each category can be displayed.
OUTPUT	LEVEL This sets the volume.
ENVELOPE	ATTACK This sets the amount of time from note-on until the attack level is reached. DECAY This sets the amount of time from when the attack level is reached until the sustain level is reached. SUSTAIN This sets the sustain level. RELEASE This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
EFFECTS	FX SELECT Select the effect to be applied. EFFECT TYPE This selects the effect type. EDIT 1 The parameter that’s controlled by this knob will depend on the effect type. EDIT 2 The parameter that’s controlled by this knob will depend on the effect type.
CHORD	This turns the global chord function on or off. When this is turned on, chords along the specified scale can be played.

Berlin

This is a synthesizer gadget with a classical design that’s optimized for lead sounds. It provides a sync oscillator that can generate complex overtones, delivering diverse sounds with a sense of modulation.

PORTA.	This sets the pitch glide speed.
BEND	This sets the pitch bend.
VIB.	This sets the pitch bend.
VOLTAGE CONTROLLED OSCILLATOR	PITCH This adjusts the pitch that produced by the oscillator. WAVEFORM This selects the waveform of the oscillator. BALANCE This adjusts the pitch balance of the tone. MOD This sets the depth of the modulation for the oscillator. TONE This adjusts the tone of the oscillator. EG/LFO This selects EG or LFO as the sync modulation source.
ENVELOPE GENERATOR	ATTACK This sets the amount of time from note-on until the attack level is reached. DECAY This sets the amount of time until the level becomes 0 after the attack level is reached.
LOW FREQUENCY OSCILLATOR	SHAPE This selects the LFO waveform. FREQ This sets the LFO frequency. KEY SYNC If this setting is On, the LFO will be reset at each note-on. TEMPO SYNC If this is On, the LFO frequency will synchronize to the tempo of the song.
VOLTAGE CONTROLLED LOW PASS FILTER	FREQ. This sets the cutoff frequency of the filter. RESO. This sets the resonance of the filter. EG This sets the depth of the modulation where the EG1 will affect the cutoff frequency. LFO This sets the depth of the modulation where the LFO will affect the cutoff frequency. KBD This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.
VOLTAGE CONTROLLED AMPLIFIER	A (Attack) This sets the amount of time from note-on until the attack level is reached. D (Decay) This sets the amount of time from when the attack level is reached until the sustain level is reached. S (Sustain) This sets the sustain level. R (Release) This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off. LEGATO This switches the legato on/off.
DELAY	TIME This sets the delay time. LEVEL This sets the delay level. SPREAD This sets the width for how far the delay sound will be panned.
	LEVEL This sets the output volume.

Chicago

This is a straightforward acid house bass gadget with a shiny silver metal body. It featuresa “Bite” filter that covers the range from classic, “sticky-sounding” synth bass to intensely distorted aggressive sounds. There’s a built-in arpeggiator and multi-effect, so your creations will have plenty of variety.

OSCILLATOR WAVE	This selects the waveform of the oscillator.
GLIDE	This sets the pitch glide speed.
ENVELOPE	ATTACK This sets the amount of time from note-on until the attack level is reached. DECAY This sets the amount of time from when the attack level is reached until the sustain level is reached. SUSTAIN This sets the sustain level. RELEASE This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off. AMPLIFIER ENV/GATE This selects the envelope source that will produce change in the volume. LEVEL This sets the volume.
ARPEGGIATOR	ON This switches the arpeggiator on/off. RANGE This sets the range of octaves where the arpeggio will be played. MODE This selects the arpeggio type. SPEED This sets the performance speed of the arpeggiator.
FILTER	CUTOFF This sets the cutoff frequency of the filter. PEAK This sets the resonance of the filter. This sets the amount of modulation which the EG will use to affect the cutoff frequency. BITE This sets the amount of drive for the filter. GNAW This gives a unique frequency change to the filter input, changing it to an aggressive sound.
EFFECT	TYPE This selects the effect type. EDIT 1 The parameter that’s controlled by this knob will depend on the effect type. EDIT 2 The parameter that’s controlled by this knob will depend on the effect type.

Phoenix

This polyphonic synthesizer gadget offers classic, vintage design and sound. Its painstaking analog emulation provides analog sound with warmth and presence. This is an all-around synth that you can use for chordal backing, pad sounds, or anything else.

OSCILLATORS	PITCH 1 This sets the pitch of oscillator 1. PITCH 2 This sets the pitch of oscillator 2. BALANCE This adjusts the volume balance of oscillator 1 and oscillator 2. WAVEFORM 1 This selects the waveform of the oscillator 1. WAVEFORM 2 This selects the waveform of the oscillator 2. PULSE WIDTH This sets the width of pulse wave. PORTA. This sets the pitch glide speed. OSC 2 DETUNE This sets the detuning for oscillator 2.
FILTER	FREQUENCY This sets the cutoff frequency of the filter. RESONANCE This sets the resonance of the filter. ENV AMT. This sets the amount of the modulation produced by using the EG to modulate the cutoff frequency. KBD AMT. This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.
ENVELOPES	FILTER ENVELOPE, AMPLIFIER ENVELOPE ATTACK This sets the amount of time from note-on until the attack level is reached. DECAY This sets the amount of time from when the attack level is reached until the sustain level is reached. SUSTAIN This sets the sustain level. RELEASE This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
PITCH	BEND RANGE This sets the pitch bend range. BEND WHEEL This sets the pitch bend. VIBRATO RATE This sets the vibrato speed. VIBRATO WHEEL This sets the depth of the vibrato.
MODULATION	LFO WAVEFORM This selects the LFO waveform. RATE This sets the LFO speed. BPM If this is On, the LFO speed will synchronize to the tempo of the song. KEY If this setting is On, the phase of the LFO will be reset at each note-on. DEPTH PULSE WIDTH This sets the depth of the modulation produced by using LFO to modulate the pulse width. FILTER This sets the depth of the modulation produced by using LFO to modulate the cutoff frequency of the filter. AMP This sets the depth of the modulation produced by using LFO to modulate the volume.
DELAY	LEVEL This sets the delay level. TIME This sets the delay time. TONE This sets the tonal character of the delay.
MASTER	LEVEL This sets the volume. DETUNE This sets the amount of detuning when “UNISON” is turned on. UNISON This switches the unison on/off.

Miami

This gadget plays the bass sounds that are indispensable for today’s electronic music. It features an “X-MOD” oscillator that generates complex overtones and modulation, and a “CRUSH” filter that adds distinctive noise. “WOBBLE” modulation lets you shift the character to produce a wobble sound evocative of an evil monster, often heard in Brostep and Dubstep.

CARRIER	WAVE This selects the waveform of the carrier oscillator. PITCH This adjusts the pitch produced by the carrier oscillator. LEVEL This sets the volume of the carrier oscillator. SUB This sets the volume of the sub oscillator.
X-MOD	WAVE This selects the waveform of the cross-modulation oscillator. DEPTH This sets the depth of the cross-modulation. LEVEL This sets the volume of the cross-modulation oscillator. TUNE This adjusts the pitch produced by the cross-modulation oscillator.
FILTER	CUTOFF This sets the cutoff frequency of the filter. CRUSH This adds a unique texture to the filter. WOBBLE This sets the modulation of the filter LFO. SHAPE This selects the LFO waveform. RATE This sets the LFO speed.
MASTER	STEREO This adjusts the spread of the output orientation. GLIDE This sets the pitch glide speed. OUTPUT This sets the volume.

Wolfsburg

This gadget is a collection of distinctive analog synthesizer waveforms that have been resampled using digital technology. It provides two effect units and four modulation matrix systems, and is distinctive for a dynamic and powerful sound that matches its tasteful, black-themed panel layout.

OSCILLATOR 1, 2	WAVEFORM This selects the waveform of the oscillator. PITCH This adjusts the pitch produced by the oscillator. LEVEL This sets the volume of the oscillator. DETUNE This sets the amount of detuning.
OSCILLATOR COMMON	VOICE MODE This sets how note will be played. NOISE This sets the volume of the noise generator. OUTPUT This sets the volume. PORTAMENTO This sets the pitch glide speed.
FILTER	FILTER TYPE This selects the filter type. CUTOFF This sets the cutoff frequency of the filter. RESONANCE This sets the resonance of the filter. ENVELOPE This sets the amount of the modulation to which the EG will affect the cutoff frequency.
AMP	ATTACK This sets the amount of time from note-on until the attack level is reached. DECAY This sets the amount of time from when the attack level is reached until the sustain level is reached. SUSTAIN This sets the sustain level. RELEASE This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
LOW FREQUENCY OSCILLATOR 1, 2	WAVEFORM This selects the LFO waveform. BPM SYNC If this is On, the LFO speed will synchronize to the tempo of the song. SPEED This sets the LFO speed. KEY SYNC If this setting is On, the phase of the LFO will be reset at each note-on.
MODULATION ENVELOPE	ATTACK This sets the amount of time from note-on until the attack level is reached. DECAY This sets the amount of time from when the attack level is reached until the sustain level is reached. SUSTAIN This sets the sustain level. RELEASE This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
MODULATION MATRIX	SOURCE A, B, C, D This sets the modulation source. DESTINATION A, B, C, D This sets the modulation destinations. AMOUNT A, B, C, D This sets the amount of the modulation.
EFFECT 1, EFFECT 2	TYPE This selects the effect type. EDIT 1 The parameter that’s controlled by this knob will depend on the effect type. EDIT 2 The parameter that’s controlled by this knob will depend on the effect type.

Brussels

This synthesizer gadget has a simple and carefully considered parameter structure with an intuitive user interface. The thick unison tones that emanate from this futuristic design will give you the lead sounds that you need for any type of electronic music.

PERFORMER	PUMP This sets the depth of the pumping effect. REPEAT This sets the depth of the repeat effect.
GENERATOR	BOTTOM This sets the volume of the sub oscillator. GLIDE This sets the pitch glide speed. DIFFUSE This sets the spread of the sound. FILTER This sets the cutoff frequency of the filter. TWIST This sets the modulation depth for the oscillator.
OUTPUT	LEVEL This sets the overall volume. REVERB TONE This sets the reverberation tone. LEVEL This sets the reverberation level.

PERFORMER

PUMP

This sets the depth of the pumping effect.

REPEAT

This sets the depth of the repeat effect.

GENERATOR

BOTTOM

This sets the volume of the sub oscillator.

GLIDE

This sets the pitch glide speed.

DIFFUSE

This sets the spread of the sound.

FILTER

This sets the cutoff frequency of the filter.

TWIST

This sets the modulation depth for the oscillator.

OUTPUT

LEVEL

This sets the overall volume.

REVERB

TONE

This sets the reverberation tone.

LEVEL

This sets the reverberation level.

Dublin

This is a semi-modular synthesizer gadget with classic, vintage looks. It’s especially good for deep bass sounds. In addition to being capable of straightforward yet deep subtractive synthesis with a plain waveform and filter, it also lets you enjoy a wide range of varying tones by changing the patching.

VCO 1	WAVEFORM This selects the waveform of oscillator 1. SHAPE This sets the pulse width when the WAVEFORM is set to Pulse. SCALE This adjusts the pitch produced by oscillator 1, in octaves.
VCO 2	WAVEFORM This selects the waveform of oscillator 2. TUNE This adjusts the pitch produced by the carrier oscillator 2. SCALE This sets the pitch produced by the oscillator 2, in octaves.
MIXER	VCO 1 This sets the volume of oscillator 1. VCO 2 This sets the volume of oscillator 2. NOISE This sets the volume of the noise generator.
VCF	CUTOFF This sets the cutoff frequency of the filter. PEAK This sets the resonance of the filter. KBD AMT This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.
VCA	ATTACK This sets the amount of time from note-on until the attack level is reached. DECAY This sets the amount of time it will take for the level to change from the attack level to the sustain level. SUSTAIN This sets the sustain level. RELEASE This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
KEYBOARD	PORTA This sets the pitch glide speed. LEGATO When this is turned on, each note is played legato when sliding along the keyboard.
MASTER	VOLUME This sets the volume. DRIVE This sets the amount of the output drive. TONE This adjusts the tone.
MG 1, MG 2	MG OUT To connect patch cables and select the modulation destination for the MG (modulation generator). AMOUNT This sets the amount of modulation for the MG (Modulation Generator). BPM If this is On, the frequency of the waveform will synchronize to the tempo of the song. KEY If this setting is On, the waveform will be reset at each note-on. WAVEFORM This selects the waveform of the MG (Modulation Generator). FREQ This sets the frequency of the waveform.
ENVELOPE GENERATOR	EG OUT To connect patch cables and select the modulation destination for the EG. AMOUNT This sets the amount of modulation for the EG. ATTACK This sets the amount of time from note-on until the attack level is reached. DECAY This sets the amount of time from when the attack level is reached until the sustain level is reached. SUSTAIN This sets the sustain level. RELEASE This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
PATCHBAY INPUTS This sets the modulation destinations for MG1, MG2 and the EG. Any of the following parameters can be set as the modulation destination.	VCO 1 SHAPE Pulse width when PULSE is selected as the waveform in VCO1 VCO 1 & VCO 2 PITCH The pitch of VCO 1 and VCO 2 VCO 2 PITCH The pitch of VCO 2 VCO 1 LEVEL The volume of VCO1 VCO 2 LEVEL The volume of VCO2 NOISE LEVEL The volume of noise VCF CUTOFF Cutoff frequency of filter (VCF) VCA GAIN Total volume MG1 FREQ Speed of MG1 MG2 FREQ Speed of MG2

Kiev

The yellow body of this synthesizer gadget projects the impression of a secret weapon hidden in an industrial zone. It features “vector synthesis” using four oscillators that generate organic, spacey sounds. Use the touchpad to intuitively control the mysterious “warp” sound that seems to contort space itself.

OSC MORPHER	TOUCH-PAD This adjusts the volume balance of oscillator A, B, C, and D. A/B DEPTH This sets the amount that the volume balance of oscillators A and B are changed. A/B SPEED This sets the speed at which the volume balance of oscillators A and B are changed. C/D DEPTH This sets the amount that the volume balance of oscillators C and D are changed. C/D SPEED This sets the speed at which the volume balance of oscillators C and D are changed.
OSCILLATOR	WAVEFORM A This selects the waveform of the oscillator A. WAVEFORM B This selects the waveform of the oscillator B. WAVEFORM C This selects the waveform of the oscillator C. WAVEFORM D This selects the waveform of the oscillator D. PITCH A This adjusts the pitch of the oscillator A. PITCH B This adjusts the pitch of the oscillator B, in half-steps. PITCH C This adjusts the pitch of the oscillator C, in half-steps. PITCH D This adjusts the pitch of the oscillator D, in half-steps. TUNE B This adjusts the pitch of the oscillator B, in semitone-steps (±100 cents). TUNE C This adjusts the pitch of the oscillator C, in semitone-steps (±100 cents). TUNE D This adjusts the pitch of the oscillator D, in semitone-steps (±100 cents).
FILTER	TYPE This selects the filter type. ENVELOPE This sets the amount of the modulation which the EG will use to affect the cutoff frequency. ATTACK This sets the amount of time from note-on until the attack level is reached. DECAY This sets the amount of time from when the attack level is reached until the sustain level is reached. SUSTAIN This sets the sustain level. RELEASE This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off. TOUCH-PAD CUTOFF 　This sets the cutoff frequency of the filter. PEAK 　This sets the resonance of the filter.
EFFECT	TYPE This sets the effect type. EDIT 1 The parameter that’s controlled by this knob will depend on the effect type. EDIT 2 The parameter that’s controlled by this knob will depend on the effect type.
MASTER	LEVEL This sets the volume.
AMPLIFIER ENVELOPE	ATTACK This sets the amount of time from note-on until the attack level is reached. DECAY This sets the amount of time from when the attack level is reached until the sustain level is reached. SUSTAIN This sets the sustain level. RELEASE This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

Chiang Mai

This is a polyphonic synthesizer gadget that features VPM (Variable Phase Modulation) synthesis. With a subdued gold body, this gadget is particularly good at sparkling metallic bell sounds.

OSCILLATORS (1, 2)	LEVEL This sets the volume of the oscillator. WAVEFORM This selects the waveform of the oscillator. PITCH This adjusts the pitch produced by the oscillator. HARMONICS This sets the frequency of the VPM (Variable Phase Modulation) modulator as a harmonic multiple of oscillator. DEPTH This sets the depth of VPM. ENV This sets the amount of modulation which the EG will use to affect the depth of the VPM.
FILTER	FREQUENCY This sets the cutoff frequency of the filter. RESONANCE This sets the resonance of the filter.
ENV AMT	This sets the amount of the modulation which the EG will use to affect the cutoff frequency.
KBD AMT	This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.
ENVELOPE (FILTER, AMPLIFIER)	ATTACK This sets the amount of time from note-on until the attack level is reached. DECAY This sets the amount of time from when the attack level is reached until the sustain level is reached. SUSTAIN This sets the sustain level. RELEASE This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
CHORUS	SPEED This sets the speed of the effect DEPTH This sets the depth of the effect.
DELAY	TIME This sets the delay time. LEVEL This sets the delay level.
OUTPUT	LEVEL This sets the volume.

Helsinki

This is a pad sound gadget that’s easy to use for genres such as Ambient or Chillwave. The subtle yet deep sound played through lo-fi and reverb effects, conveyed through the floating interface, creates an atmosphere that is both nostalgic and futuristic.

LOFI	FREQ This sets the roughness of the sound and the frequency of the digital meter. MIX This sets the amount of the effect sound mixed with the dry sound.
REVERB	TIME This sets the reverberation time. LEVEL This sets the reverberation level.
OUTPUT	LEVEL This sets the volume.
GENERATORS	WAVE This selects the waveform of the oscillator. LOW This sets the low range level of the oscillator. HI This sets the high range level of the oscillator. HIGHER This sets the higher range level of the oscillator. NOISE This sets the volume of the noise generator.
FILTER	TYPE This selects the filter type. FREQ This sets the cutoff frequency of the filter. RESO This sets the resonance of the filter.
ENVELOPE	A This sets the amount of time from note-on until the attack level is reached. D This sets the amount of time from when the attack level is reached until the sustain level is reached. S This sets the sustain level. R This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

Kingston

This polyphonic synthesizer gadget is optimized for 8-bit game sounds. The timeless waveforms that still exemplify the sounds of a computer are provided in the oscillator section, and there are also “JUMP” and “RUN” functions that make those sounds even more bizarre. You can also use effects to additionally deform the sound.

RUN!	TYPE This selects the run type. SPEED This sets the performance speed of the run. ON/OFF This switches the run on/off.
EDIT	WAVEFORM This selects the waveform of the oscillator. TRANSPOSE This adjusts the pitch of the oscillator. ENVELOPE ATTACK This sets the amount of time from note-on until the attack level is reached. DECAY This sets the amount of time from when the attack level is reached until the sustain level is reached. SUSTAIN This sets the sustain level. RELEASE This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
EFFECT	TYPE This sets the effect type. EDIT 1 The parameter that’s controlled by this knob will depend on the effect type. EDIT 2 The parameter that’s controlled by this knob will depend on the effect type.
LEVEL	This sets the volume.
JUMP!	HEIGHT This sets the height of jump. ON/OFF This switches the jump on/off.

Kamata

This synthesizer gadget emulates 80s video games by using Wavetable synthesis as a sound source. Based on the NAMCO CUSTOM30 sound generator in their world famous 1980’s arcade games, the sound team of BANDAI NAMCO Studios have reimagined the most popular game sounds and put them into a dedicated Gadget called Kamata. By using the carefully selected parameters for each of the 32 x 4 bit samples in the wavetable, you can design music and sounds that are both nostalgic and new.

MASTER VOLUME	This sets the value of the selected parameter.
VALUE	This sets the volume.
PAGE SELECT	This accesses the page.
WAVE BANK	This selects the wavetable.
DETUNE	This sets the amount of detuning.
NOISE	This sets the volume of the noise generator.
AMP ENV	AT (Attack Time) This sets the amount of time from note-on until the attack level is reached. DT (Decay Time) This sets the amount of time from when the attack level is reached until the sustain level is reached. SL (Sustain Level) This sets the sustain level. RT (Release Time) This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
PITCH ENV	AT (Attack Time) This sets the amount of time from note-on until the attack level is reached. DT (Decay Time) This sets the amount of time from when the attack level is reached until the sustain level is reached. RT (Release Time) This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off. SL (Start Level) This sets the start level. AL (Attack Level) This sets the amount of time from note-on until the attack level is reached. SL (Sustain Level) This sets the sustain level. RL (Release Level) This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
DELAY	TIME This sets the delay time. LEVEL This sets the delay level. COUNT This sets the number of times the delay sound is repeated.
REVERB	TIME This sets the reverb time. LEVEL This sets the reverb level.
LFO1-AMP	WAVE This selects the waveform of the LFO1. DEPT (Depth) This sets the depth of the LFO1. DELT (Delay Time) This sets the time from note-on until the LFO1 starts. RATE This sets the LFO1 speed.
LFO2-PITCH	WAVE This selects the waveform of the LFO2. DEPT (Depth) This sets the depth of the LFO2. DELT (Delay Time) This sets the time from note-on until the LFO2. RATE This sets the LFO2 speed.
PORTAMENTO	MODE This switches the mode between Poly/Mono. TIME This sets the portamento time.
CONTROL	MOD-WHEEL This sets the pitch and amp to be controlled with a modulation wheel. PITCHBEND This sets the change range for the pitch bend.

Ebina

(Additional Paid Content)
This is a synth gadget inspired by the Darius arcade cabinet and its distinctive three-screen design. Synth sounds have been recorded from arcade games such as Darius and The Ninja Warriors. Through collaboration with Taito, we are reproducing FM tone generator sounds (mostly), successfully reproducing sounds of these legendary arcade games.

OSC	PCM SELECT This selects the waveform of the oscillator. CH 1 LEVEL This sets the oscillator volume. CH 2 LEVEL This sets the oscillator delay and detune volume. CH 3 LEVEL This sets the oscillator delay and detune volume. DETUNE This sets the amount of the oscillator delay. DELAY This sets the oscillator delay time. DELAY BPM SYNC If this is On, the oscillator delay time will synchronize to the tempo of the song.
PITCH	EG INT This sets the depth of the modulation where the EG will affect the pitch. LFO DEPTH This sets the depth of the modulation where the LFO will affect the pitch. OCTAVE This adjusts the pitch produced by oscillator, in octaves. PORTAMENTO This sets the pitch glide speed. EG START LEVEL This sets the start level for the pitch EG. EG ATTACK TIME This sets the attack time for the pitch EG. EG ATTACK LEVEL This sets the attack level for the pitch EG. EG DECAY TIME This sets the decay time for the pitch EG.
AMP	OUTPUT LEVEL This sets the volume. LFO DEPTH This sets the depth of the modulation where the LFO will affect the volume. EG ATTACK TIME This sets the amount of time from note-on until the attack level is reached. EG DECAY TIME This sets the amount of time from when the attack level is reached until the sustain level is reached. EG SUSTAIN LEVEL This sets the sustain level. EG RELEASE TIME This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
FLT	CUTOFF This sets the cutoff frequency of the filter. RESONANCE This sets the resonance of the filter. EG INT This sets the depth of the modulation where the EG will affect the filter. LFO DEPTH This sets the depth of the modulation where the LFO will affect the filter. EG ATTACK TIME This sets the attack time for the filter EG. EG DECAY TIME This sets the decay time for the filter EG. EG SUSTAIN LEVEL This sets the sustain level for the filter EG. EG RELEASE TIME This sets the release time for the filter EG.
LFO	WAVEFORM This selects the LFO waveform. FREQUENCY This sets the LFO speed. BPM SYNC If this is On, the LFO speed will synchronize to the tempo of the song. KEY SYNC If this setting is On, the phase of the LFO will be reset at each note-on. FADE-IN Sets the amount of time for the LFO to reach its maximum depth.
MISC	EFFECT TYPE This selects the effect type. EFFECT EDIT 1 The parameter that’s controlled by this knob will depend on the effect type. EFFECT EDIT 2 The parameter that’s controlled by this knob will depend on the effect type. VOICE MODE This sets how note will be played. BEND RANGE This sets the pitch bend.

Drum Gadget

London

This is a drum sound module gadget designed specifically for dance music. True to its simple, straightforward looks, it instantly gives you a performance-ready drum kit. There are more than 400 samples that will cover your needs for a variety of dance music formats including Electro, Minimal, Dubstep and so on. It also provides three effects that you can use on each part, as well as a master effect.

PART 1...8 EDIT	WAVEFORM This selects the waveform that will be used by each part. You can play the waveform with the ZR button before setting. TUNE This adjusts the pitch for each part. TIME This sets the decay time for each part when TRIGGER is set to ONESHOT. This sets the release time for each part when TRIGGER is set to GATE. TRIGGER This selects the trigger type for each part.
PART 1...8 FX	Punch This sets an attack-emphasizing effect for the output signal of a part. Low Boost This sets the boost for the low range. REV (Reverse) This switches the reverse on/off for each part. MFX (Master Effect Send) This sets whether or not the sound for the part is sent to the master effect.
PART 1...8 MIXER	Pan This sets the panning value for each part. M (Mute) This determines whether or not the part will sound. Group This groups parts. Parts that share the same settings are combined into one group and the last note is given priority, producing a monophonic sound. This is effective, for example, when playing with the closed and open sounds of the hi-hat grouped. LEVEL This sets the volume for each part
EFFECT	TYPE This sets the effect type. EDIT 1 The parameter that’s controlled by this knob will depend on the effect type. EDIT 2 The parameter that’s controlled by this knob will depend on the effect type.
MASTER	LEVEL This sets the volume.

Tokyo

This is a drum gadget that collects four compact analog-type drum sound modules into a single package. Each module gives you parameters that are tuned respectively to kick, snare, tom and percussion sounds, allowing you to experience the distinctive enjoyment of creating sound with analog modules.

BD201	WAVE This selects the waveform. TUNE This sets the pitch. DECAY This sets the length of the sound. BEND This sets the amount of bend. BOOST This sets the amount of low boost. LEVEL This sets the volume. PAN This sets the paning value.
SD302	TUNE This sets the pitch. DECAY This sets the length of the sound. NOISE This sets the tonal character and modulation of the noise. SNAPPY This sets the amount of noise in the snare. PUNCH This emphasizes the attack. LEVEL This sets the volume. PAN This sets the paning value.
TOM404	TUNE This sets the pitch. DECAY This sets the length of the sound. BEND This sets the amount of bend. NOISE This sets the amount of noise. LEVEL This sets the volume. PAN This sets the paning value.
PCS503	TUNE This sets the pitch. DECAY This sets the length of the sound. SHAPE This selects the modulation type. DEPTH This sets the modulation depth. SPEED This sets the modulation speed. LEVEL This sets the volume. PAN This sets the paning value.

Amsterdam

With the beefy looks of a gold body sporting chrome knobs, this is a four-part PCM sound module gadget containing more than one hundred sound effects that give impact to your song, including one-shot sounds, synth sounds, and scratches. It also contains numerous chord samples, allowing you to create chord progressions as if you were assembling a collage.

EFFECT	TYPE This selects the effect type EDIT 1 The parameter that’s controlled by this knob will depend on the effect type. EDIT 2 The parameter that’s controlled by this knob will depend on the effect type.
MASTER	MASTER This sets the overall volume.
PART 1...4	LEVEL This sets the volume for each part. PAN This sets the panning value for each part. WAVE This selects the waveform for each part. TUNE This sets pitch for each part. TIME This sets the decay time for each part. EG MODE This sets the decay time for each part. FX SEND This switches the send on/off for effect. REVERSE This switches the wave plays in reverse.

EFFECT

TYPE

This selects the effect type

EDIT 1

The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2

The parameter that’s controlled by this knob will depend on the effect type.

MASTER

This sets the overall volume.

PART 1...4

LEVEL

This sets the volume for each part.

PAN

This sets the panning value for each part.

WAVE

This selects the waveform for each part.

TUNE

This sets pitch for each part.

TIME

This sets the decay time for each part.

EG MODE

This sets the decay time for each part.

FX SEND

This switches the send on/off for effect.

REVERSE

This switches the wave plays in reverse.

Otorii

(Additional Paid Content)
Concentrating on arcade games that achieved popularity in the 80s, such as Out Run and After Burner, drumming sound and sound effects have been newly sampled from original equipment. This nostalgic design, inspired by the Mega Drive and with a 16-bit logo, is a distinctive rhythm sound generator gadget.

MASTER VOL	This sets the volume.
PAGE	Set the parameters to be edited.
INFO	Displays the game information for the selected tone
PAGE 1	LEVEL This sets the volume for the selected part. PAN This sets the panning value for the selected part. DECAY This sets the decay time for the selected part. PITCH This sets the pitch for the selected part. REPEAT Set the time for the selected part to be played repeatedly.
PAGE 2	STRAT SAMPLE Set the sample playback start position for the selected part. SAMPLE LENGTH Set the end of sample playback position for the selected part. ONE SHOT If this is On, it plays back to the end of the sample playback position of the selected part, regardless of the length of the note. FX SEND This switches the send on/off for effect. GROUP This groups parts. Parts that share the same settings are combined into one group and the last note is given priority, producing a monophonic sound. This is effective, for example, when playing with the closed and open sounds of the hi-hat grouped. SAMPLE SELECT This selects the waveform for the selected part.. REV（in the SAMPLE SELECT screen） This switches the reverse on/off for the selected part.
FX	EDIT1 The parameter that’s controlled by this knob will depend on the effect type. EDIT2 The parameter that’s controlled by this knob will depend on the effect type. EFFECT TYPE This sets the effect type.

Effects

EFFECT TYPE		EDIT 1	EDIT 2
Bypass	No effect
Peak EQ	Emphasizes a specific frequency	Frequency	Gain
2Band EQ	Emphasizes the low or high frequency	Low Gain	High Gain
LPF	Shaves off the higher frequency	Cutoff Frequency	Resonance
HPF	Shaves off the lower frequency	Cutoff Frequency	Resonance
BPF	Makes a specific frequency sound	Cutoff Frequency	Resonance
Comb Filter	Emphasizes a specific frequency to make it sound unique	Frequency	Feedback
Compressor	Adjusts the volume of the sound and makes it more powerful	Sens	Attack
Tube Drive	Adds a vacuum tube - like warmth and distortion	Tube Gain	-
Distortion	Adds distortion and power	Gain	Level
Decimator	Gives an old digital sound	Frequency	Balance
Ring Mod	Creates a metallic tone	Frequency	Balance
Talk Mod	Gives the sound of the human voice	Formant	Offset
Cho/Flg	Gives thickness and swell	Speed	Depth
Ensemble	Gives depth and breadth	Depth	Spread
Phaser	Gives the sound swell	Frequency	Depth
Auto Pan	Shakes the sound to the left or right	Frequency	Depth
Tremolo	Modulates the volume	Frequency	Depth
Pump	Makes the sound bouncy	Frequency	Attack
Slicer	Slices the sound	Frequency	Holdtime
GrainShift	Makes the sound grainy	Speed	Balance
Short Delay	Adds an echo	Time	Depth
BPM Delay	Adds a tempo matching echo	Time	Depth
Room Reverb	Adds the echo of the room	Time	Level
Hall Reverb	Adds the echo of the hall	Time	Level
Gate Reverb	Adds the unusual echo	Time	Level